No man’s land is the area between the positions of the parties of the conflict, it is uncontrolled, it is ​​potential confrontation, the area seemingly devoid of property, space for appropriation, therefore full of potential tensions, seemingly amorphous transition area. Few are going there and even less comes back. Those who have succeeded are bringing stories about what they experienced by crossing various boundaries. The no man’s land in the era of post-internet, in the era of hybrid, invisible wars, can lurk everywhere. Two young artists, students of the Academy of Fine Arts in Łódź, found it in Kazakhstan and Israel. Photographers have traveled hundreds of miles around these two countries. As a result, cycles of black and white views ready for appropriation were created. Their works are also an objective record and a personal interpretation of fragments of reality. They draw the viewer into the space of emptiness and loneliness, introduce us to an unknown, menacing and strange world, waiting for the discoverers of his potential meanings.
Brave Boy Studio (Jan Kazimierz Barnaś i Wojtek Kamerys), Returns: Setomaa, Galeria Ogrodowa8, ul. Ogrodowa 8
The life of the Seto people goes on slowly. They live far from civilization, surrounded by forests and lakes. The rush of the modern world is not known to them or they have forgotten about it long time ago. Years later, more residents return home. They often led a prosperous life among the Estonian cultural, business and political elite. However, is it possible to live away from your own paternity, the land of your ancestors? Is it possible to live with the feeling of abandoning your own nation?
It is difficult to define what could be the main element influencing a cultural memory. It is rather a set of behaviors used by parents, guardians, towards children. A certain mysticality of their traditions, beliefs, celebrations of days significant for the community, leaves a mark on Seto. An important element of their identity is the land of their ancestors, which somehow influences them. Seto’s tradition and culture, cultivated by the community, is rooted deeply in an archaic tribal tradition.
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