Brave Boy Studio
Independent film production company founded in 2019 by Jan Kazimierz Barnaś and Wojciech Kamerys in Lodz, Poland. We provide comprehensive film production, from the script to post-production. We have worked with artists and labels from France, Czech Republic, Israel, Bosnia, Kazakhstan, Estonia and Russia, among others. We also produce our own films. What we care about above all are valuable productions. Film is our whole life.
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Jan Kazimierz Barnaś – born in Sandomierz on September 12, 1991; currently permanently connected with Lodz. Faculty of Photography and Multimedia Communication at the Academy of Fine Arts in lodz 2022 MA graduate. In his works, he often takes up the subject of the destruction of the image, his main interest is film and video art. As the filmmaker on his account, he has several etudes, video-arts, animations, music videos and feature films.
Wojciech Kamerys – born in 1994, faculty of Photography and Multimedia Communication at the Academy of Fine Arts in lodz 2022 MA graduate. Practice based on photography, combined with other media. Participant of several exhibition in lodz, Gdynia, Bydgoszcz and abroad. Cooperation with Academy of Music in Lodz, and The National Film, Television and Theatre School of Lodz, Teatr Lubuski, Fotofestiwal Lodz, Retropespektywy Festival. Theme of works based on connection between photography and sociology, function of pictures in modern society, and their impact on the masses.
Jan Kazimierz Barnaś – born in Sandomierz on September 12, 1991; currently permanently connected with Lodz. Faculty of Photography and Multimedia Communication at the Academy of Fine Arts in lodz 2022 MA graduate. In his works, he often takes up the subject of the destruction of the image, his main interest is film and video art. As the filmmaker on his account, he has several etudes, video-arts, animations, music videos and feature films.
Wojciech Kamerys – born in 1994, faculty of Photography and Multimedia Communication at the Academy of Fine Arts in lodz 2022 MA graduate. Practice based on photography, combined with other media. Participant of several exhibition in lodz, Gdynia, Bydgoszcz and abroad. Cooperation with Academy of Music in Lodz, and The National Film, Television and Theatre School of Lodz, Teatr Lubuski, Fotofestiwal Lodz, Retropespektywy Festival. Theme of works based on connection between photography and sociology, function of pictures in modern society, and their impact on the masses.
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We are inspired by stories taken from the world
In this interview, meet BRAVE BOY Studio, nominated for Futures in 2020 by Fotofestiwal Lodz.
Direct link to full interview for Futures Photography, 17.01.2021
In this interview, meet BRAVE BOY Studio, nominated for Futures in 2020 by Fotofestiwal Lodz.
Direct link to full interview for Futures Photography, 17.01.2021
“As audiovisual creators, we are inspired by stories taken from the world. We feed on other people's memories, cultural messages, and family archives.” In this interview, meet Brave Boy Studio, nominated for Futures in 2020 by Fotofestiwal Lodz.
The Brave Boy Studio is an independent film production company founded in 2019 by Jan Kazimierz Barnas and Wojciech Kamerys in Lodz, Poland. They provide comprehensive film production, from the script to post-production. They have worked with artists and labels from France, Czech Republic, Israel, Bosnia, Kazakhstan, Estonia and Russia, among others. They also produce their own films.
The Brave Boy Studio is an independent film production company founded in 2019 by Jan Kazimierz Barnas and Wojciech Kamerys in Lodz, Poland. They provide comprehensive film production, from the script to post-production. They have worked with artists and labels from France, Czech Republic, Israel, Bosnia, Kazakhstan, Estonia and Russia, among others. They also produce their own films.
Can you tell us a little bit about your inspirations? Which themes do you often work with?
As audiovisual creators, we are inspired by stories taken from the world. We feed on other people's memories, cultural messages, and family archives. This, moreover, became a motivator for collective activities and for the final establishment of the BRAVE BOY STUDIO film company.
As audiovisual creators, we are inspired by stories taken from the world. We feed on other people's memories, cultural messages, and family archives. This, moreover, became a motivator for collective activities and for the final establishment of the BRAVE BOY STUDIO film company.
How do you see your relationship with the medium? How do you use photography to express your art?
The medium of photography has been close to us for many years. We both started our adventure with analog photography at a very young age, and the last years of our activity have allowed us to develop this relationship between the creator and the medium to a relatively high level. We are fascinated by the silver substrate and the possibilities it offers. Often, it is not the image itself that is most important in the implemented projects, but reflection on the selection of appropriate media for this fragment of reality. The silver substrate, the photographic plate, is a living organism which, when properly treated, takes various forms, subject only to the imagination of the creator.
The medium of photography has been close to us for many years. We both started our adventure with analog photography at a very young age, and the last years of our activity have allowed us to develop this relationship between the creator and the medium to a relatively high level. We are fascinated by the silver substrate and the possibilities it offers. Often, it is not the image itself that is most important in the implemented projects, but reflection on the selection of appropriate media for this fragment of reality. The silver substrate, the photographic plate, is a living organism which, when properly treated, takes various forms, subject only to the imagination of the creator.
Do you have any ongoing (or more recent) project that you would like to share with us?
The last project we worked on was "Returns: Setomaa", which saw the light of day during this year's edition of FOTOFESTIWAL. The project tells in a relatively metaphorical way the life and origin of the Seto people, who live in the south-eastern part of Estonia. The life of the Seto people goes on slowly. They live far from civilization, surrounded by forests and lakes. The rush of the modern world is not known to them or they have forgotten about it long ago. More residents return home after many years. They often led a prosperous life among the Estonian elite cultural, business and political. However, is it possible to live far from your own fatherhood, the land of your ancestors? Is it possible living with a feeling of abandoning one's own nation? It is difficult to define what could be the main element influencing cultural memory. It is rather a set of behaviors used by parents, guardians, towards children. A certain mysticism of their traditions, beliefs, the celebration of community significant days, leaves a mark on Seto. An important element of their identity is the land of their ancestors, which influences them in some way. The seto tradition and culture, cultivated by the community, is rooted deeply in the archaic tribal tradition. A certain stage of the project was closed with this exhibition, but we still have to travel to Estonia and Russia to elaborate the problems of this nation as much as possible.
The last project we worked on was "Returns: Setomaa", which saw the light of day during this year's edition of FOTOFESTIWAL. The project tells in a relatively metaphorical way the life and origin of the Seto people, who live in the south-eastern part of Estonia. The life of the Seto people goes on slowly. They live far from civilization, surrounded by forests and lakes. The rush of the modern world is not known to them or they have forgotten about it long ago. More residents return home after many years. They often led a prosperous life among the Estonian elite cultural, business and political. However, is it possible to live far from your own fatherhood, the land of your ancestors? Is it possible living with a feeling of abandoning one's own nation? It is difficult to define what could be the main element influencing cultural memory. It is rather a set of behaviors used by parents, guardians, towards children. A certain mysticism of their traditions, beliefs, the celebration of community significant days, leaves a mark on Seto. An important element of their identity is the land of their ancestors, which influences them in some way. The seto tradition and culture, cultivated by the community, is rooted deeply in the archaic tribal tradition. A certain stage of the project was closed with this exhibition, but we still have to travel to Estonia and Russia to elaborate the problems of this nation as much as possible.
We have been facing a lot of challenges this year. How do you see this moment for art? Is it changing your practice?
It certainly poses a lot of challenges when it comes to the implementation of previously discussed topics, some of our implementations had to be postponed to an undefined date. However, despite the current situation, we started working on new projects, related quite strongly to the archives we created in conjunction with the collections from world museums. A fascinating project that should take shape by the next year in a more readable form. The project will tell about countries affected in the past or currently undergoing systemic changes. We focus on the social aspect, what is left, but we also use metaphorical representations of the changes themselves. We hope that the project will take the form of a photo book.
It certainly poses a lot of challenges when it comes to the implementation of previously discussed topics, some of our implementations had to be postponed to an undefined date. However, despite the current situation, we started working on new projects, related quite strongly to the archives we created in conjunction with the collections from world museums. A fascinating project that should take shape by the next year in a more readable form. The project will tell about countries affected in the past or currently undergoing systemic changes. We focus on the social aspect, what is left, but we also use metaphorical representations of the changes themselves. We hope that the project will take the form of a photo book.